{"id":4513,"date":"2022-09-21T15:40:09","date_gmt":"2022-09-21T18:40:09","guid":{"rendered":"https:\/\/murilorubiao.com.br\/eng\/?page_id=4513"},"modified":"2022-11-16T17:10:06","modified_gmt":"2022-11-16T20:10:06","slug":"murilianas-artes-visuais-cinema-teatro-video-e-tv-cinema","status":"publish","type":"page","link":"https:\/\/murilorubiao.com.br\/eng\/index.php\/murilianas-artes-visuais-cinema-teatro-video-e-tv-cinema","title":{"rendered":"Murilianas > Artes visuais, cinema, teatro, v\u00eddeo e TV > Cinema"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\r\n\t\t\t\t\t\"This circularity of my texts allows me not to finish the story, allows it to continue. And it always continues. It continues in the reader, it will have another life, different from the one I gave to it.\"\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\tMurilo Rubi\u00e3o<\/span>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Murilians > Visual Arts, Cinema, Theather, Video and TV > Cinema<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n The Pyrotechnist Zacharias<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n
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\n The Ex-Magician(1996) – Rafael Conde<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n
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\n The Trap (2002) – Claudio de Oliveira<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n
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\n O ex-m\u00e1gico (2016) – Ol\u00edmpio Costa<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n
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\n Sludge (2020) – Helv\u00e9cio Ratton<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n
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\n The Dragons (2021) – Gustavo Spolidoro<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n
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\n Other films<\/a>\n <\/h3> \n \n\n Leia Mais<\/span>\n\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n\n <\/div>\n \n
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

“This circularity of my texts allows me not to finish the story, allows it to continue. And it always continues. It continues in the reader,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":18,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4513","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/pages\/4513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/comments?post=4513"}],"version-history":[{"count":7,"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/pages\/4513\/revisions"}],"predecessor-version":[{"id":4808,"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/pages\/4513\/revisions\/4808"}],"wp:attachment":[{"href":"https:\/\/murilorubiao.com.br\/eng\/index.php\/wp-json\/wp\/v2\/media?parent=4513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}